View and Download LINE 6 GEARBOX 3.5 online help manual online. GEARBOX 3.5 Guitar pdf manual download. Pre 1953 - These amps can only be dated by the EIA (Electronics Industries Association) codes on the speakers and other parts. No serial numbers were used during this time. Michael-Hull amplifiers were made between 1946-48. Free Download Mp3 Avril Lavigne Hush Hush. When Hull started on his own, the name was switched to Ampeg and were mostly wooden. If anybody is interested, I dug out the Ampeg serial number dating code for Ampeg and Crate gear manufactured during the Saint Louis Music years. More useful technical information on the variations in Ampeg amplifiers, including color depictions of the various cabinet coverings and grill cloths.

Vintage47amps 'Classic 47 Series' guitar & harp amplifiers are the most accurate & period correct Valco style reproduction amplifiers being built today. Our amps are 100% hand built following the original schematic & construction techniques. Cabinet designs are based on the classics - Valco Spectator & Comet models, The Oahu Suitcase Amp, The Bronson 'Singing Electric', 1940's National, as well as 50's Valco Gretsch amp styles. Something different for the discerning guitar and/or harp player. Dedicated to the preservation of the Valco circa 1947 octal tube tone amplifier designs, old Chicago blues and authentic mojo style! ­ Sign up for the Vintage47amps Newsletter to receive updates when new amplifiers post to the website­. Hand Made In USA Vintage Harp & Guitar Amps Our amps are completely hand made from start to finish here in our San Pedro, Los Angeles shop.

Point to point hand wired, full cabinet construction using Baltic birch ply, and hand skinned using aged tweed fabric or a large assortment of tolex coverings. All of out transformers are US made for us by Heyboer, speakers by Tone Tubby & Ted Weber, rounded out by an assortment of carbon comp resistors push back cloth wire and a capacitor selection that best captures the 'mojo' of Valco amps. When you are in the Los Angeles area, we hope you come down and visit our shop. We always have a selection of some of the greatest Valco style amplifiers you will ever play through. Experiance that big, full Valco sound yourself.

Vintage 47 amps are just plain fun to play. They are probably the most touch sensitive amps you will ever play through.

Even at lower volumes, just dig into your guitar or harp and listen to the amp growl back! You will be amazed what you can accomplish with just 2 knobs.

With the addition of our new San Pedro shop, it is our intent to keep most, if not all of our amplifiers in stock (or at least in process). If we can't get your amplifier shipped within a week of recieving your order, we will contact you imediately and advise you of the delivery date, or let you know if we have somthing in stock that may meet your needs. For special orders, we will advise you of the lead time and any additional cost (if any). So I bought a cheap acoustic guitar (Harmony) and started learning songs by Woody Guthrie, Pete Seeger, early Dylan, Bias, and Collins, songs popular for our generation at that time. Then came my electric guitar years, assistant roady for a couple of our high school garage bands, from which a few would make the pro cut into the the big time, like Timothy Schmit (Eagles) and Ed Robels (Ambrosa). Before long I was working for Carico's Edison Light Co, a subcontrator for Bill Graham, and doing psychodelic light shows for the SF Bay areas - Dead, Quicksilver, Big Brother, Airplane and the likes.

In the fall of '67 and a quick hitch hike out to Greenwich Village, I found myself doing light shows for the Electric Circus, AKA the DOM/Bohemian (Andy Warhol and the Velvet Underground). I was front row for some of the biggest selling musical names of the time. But it was not the big hip top of the bill names that left their mark, it was all those way down on the billing opening acts that impressed me the most. Names like Lighting Hopkins, Sonny Terry & Brownie McGee, Big Mamma Thorton, Bo Diddly, Mississippi, John Hurt, Blind Lemon and dozens of others. They had a different style and that different bluesy tone unlike all the big name bands and I got hooked! Opm3 Self Assessment Pdf Writer.

I wanted that blues tone sound! Now what did my Grandfather have to do with all this? When I couldn't duplicate that bluesy tone on my Fender amp, it was my Grandpa Ralph who pointed out that the bluesy tone was created because those small cheap tube amp circuits broke up and distorted with just a small amount of drive! I started shopping my amps from junk stores from then on. He taught me to fix about anything electronic, and later I even got the ham radio license (NO6M), sort of following in his footsteps.